Jan van Huysum - Still Life with Flowers and Fruit (1715)
he sank the boat he was working on just to kill the captain
Hossein Naqqash, Archangel Raphael, (c. 1590, Mughal; Musée Guimet, Paris)
This 1911 photo of Marie Curie in a roomful of dudes (including Max Planck, Henri Poincaré, Ernest Rutherford, and young Albert Einstein, lurking in the background, second from right) bespeaks so much both about the gendered state of science and about the enormity of cultural bias Curie overcame to become the “Martyr of Science,” the first woman to win a Nobel Prize, and the only person to date to win a Nobel in two different sciences.
Also see Curie on science and wonder.
My spread in TIME Magazine on the current anti-vaccination movement. Fabulous art direction by Martin Gee.
Ilana + adoring Abbi
School of Rock (2003)
God of Rock, thank you for this chance to kick ass. We are your humble servants. Please give us the power to blow people’s minds with our high voltage rock. In your name we pray, Amen.
Anachronistic and teleological notions about one-point perspective and its relationship to optical reality or the observation of space have led to a mass denigration of earlier pictorial strategies for rendering volumes, situating them, and specifying their relationships to each other. However, if one has spent any time in a medieval hill-top commune, such as Siena, San Gimingnano, Volterra, Assisi or Cortona, one knows that the enchanting jumble of sweet and savory-colored buildings, tiled rooves, jagged walls, myriad towers, gothic windows, crenellations, and empty loggie seen everywhere in trecento painting, correspond rather accurately to one’s visual experience urban architecture and topography in such places.
To put it more plainly, Siena looks like Ambriogio Lorenzetti’s Good Goverment in the City and the 14thc. renderings of the built environment are, on balance, fairly accurate. One couldn’t extrapolate a groundplan of the structures seen in any of these images, the way one can with Piero’s Flagellation, but then again they were never intended to have a cartological application. A similar case can be made for the representation of the contado—the rural or uncultivated topography landscape beyond the city walls.
Emma Sulkowicz is on the cover of this month’s New York Magazine and that is the coolest thing wow
DUUUUDE this is a huge fucking deal honestly
Saoirse Ronan, photographed by Stefan Khoo for Wonderland, Sep/Oct 2014.
These awesome illuminated inflatable white rabbits are the work of Australian artist Amanda Parer for an installation entitled Intrude. In May 2014 the giant glowing bunnies were installed at the Vivid Festival of Light Sydney and next month they’ll be part of the Junction Arts Festival in Launceston, Tasmania.
Parer’s enormous and radiant rabbits, which stand 7 meters (~23 feet) tall, were created as a twofold response to the animals’ common occurrence in Australian fairytales as well as their invasive presence throughout Australia:
"These animals first travelled to Australia on the ships of the First Fleet and were brought ashore in cages in January 1788. These adaptable creatures quickly made themselves at home and eventually spread to almost every corner of the land. An Australian contradiction, Intrude represents the fairy-tale animals of our childhood – a furry innocence, frolicking through idyllic fields, while revealing their more serious and large-scale effect on the environment.”
[via Lost At E Minor]
i love the Women Against Feminism that are like “I dont need feminism because i can admit i need my husband to open a jar for me and thats ok!” cause listen 1. get a towel 2. get the towel damp 3. put it on the lid and twist. BAM now men are completely useless. you, too, can open a jar. time to get a divorce
Still think these are the coolest.